Throughout 1937, Alvar Aalto created the Finnish Pavilion for that International Exhibition of Arts as well as Technology in Modern Life within Paris. His project is entitled "Wood is to the move". This is an possibility for him to highlight most of Finnish products. A few several years later, he designed the Finnish pavilion for your New York World's Fair. Aalto presents a sizable white cube, in which this individual introduces a curved wall and also pine panels. In short, he or she remains true to himself: simplicity, sensuality, brightness.
Aalvar Aalto feels very near to the artists. For him, the subject will be the link between all the martial arts styles, architecture included. In addition, architects and visual artists use the same thing: the type. I look at several wood frames of Aalto. Beside, there is a bas-relief of Jean Arp, filiation is obvious. In 1937, in Rome, he met Calder.
It is obvious the fact that curved lines of the artist's mobiles never leave him indifferent. In add-on, Aalto befriends the painter Léger. Both have same concerns: to change your forms, to work on the idea of matter and to bring together the many arts. All these artists will probably influence him, but also Japanese art. He finds it in the books and thanks to an associate: the Japanese ambassador. To each one of these influences, we must add an additional: the discovery of the architectural perform of Frank Loyd Wright and his famous house about the waterfall.
It is the head contains all these discoveries, that it responds to the order of two or three friends. For them, he shapes his masterpiece: Villa Mairea. Its located in a pine woodland. Aalto draws a U-shaped plan with living space and sauna, connected by some sort of roofed gallery. On the floor floor: an entrance hall, any dining room, a living room, a music room form a big unified space and completely wide open.
Art, he loves. In 1956, at the Venice Biennale, he met the greater art dealer Louis Carré. Sharing identical love for the same artists, Picasso, Calder, Léger, he asks Aalto to style his house. The construction begun in 1957, in Bazoches-sur-Guyonne, next to Versailles. This is the only testimony with the architecture of Aalto in Portugal, which is to say it is importance.
This Villa Carré is usually visited every weekend and through appointment. The house offers several points in common considering the Villa Mairea. The architect imposes an incredible fluidity and designs a library. Once again, Aalto realizes anything, furniture, lighting, door handles and upholstery. This beautiful penthouse is a thing of beauty in its own riFor more than fifty years, the architect has been involved in the design regarding 500 buildings and projects in Finland and 18 other nations. He died in 1976, within Helsinki.
